CHOREOGRAPHY
Jessica Baynes is a Contemporary dance choreographer currently based in London, UK. Baynes has created over 40 works in her career ranging from large stage ensembles, to small group pieces, solos, and movement for film. Her choreography has been performed in New York City, Boston, Salt Lake City, San Diego, Los Angeles, and London.
Jessica Baynes is still taking commissions for 2026-2027. For an updated choreographic CV or a quote, please contact JessicaBaynesDance@gmail.com, or fill out the website contact form.
CHOREOGRAPHIC REEL
Music by Michael Wall/SoundFORMovement
For inquiries, please contact JessicaBaynesDance@gmail.com
EXPERIENCE
CAST SIZES: Experienced with small casts (1-6), medium sized casts (7-25), and large casts (25-50+ dancers).
SETTINGS: Experienced in creating works for theatre stages, screen and film (e.g. screen dance and motion capture), site-specific performances (e.g. outdoor), live/virtual hybrid performances, competitions, dance studio showings, clinical/medical settings, and schools.
DANCERS: Experienced in setting material adapted to the skills and abilities of diverse populations (e.g. professionals, pre professionals, recreational dancers, competition dancers, public school students, adaptive dance students, etc.)
RESOURCES: Experienced in operating with quick turnaround deadlines, varying budget sizes (corporate/commercial commissions to local/grassroots projects), and working remotely with rehearsal directors.
INVOLVEMENT DURATION: Experienced working hands-on for entire processes (studio to stage), and experienced with handing off process to rehearsal directors (and working with them remotely, as desired) after setting initial material.
MIXED-MEDIA: Experienced in collaborating with artists of other artistic disciplines (e.g. music composers, costume designers, lighting designers etc.
MIXED-STYLES: Experienced with choreographing for various dance genres including contemporary, ballet, modern, and Flamenco.
PROCESS
Jessica Baynes brings elements of her performance background in American modern dance, American and British/European contemporary dance, and Spanish Flamenco to her choreographic process. Her choreographic interests span exploration of momentum, gesture, partnering, physical theatre, politics, floorwork, and cross-disciplinary collaboration (e.g. working with live musicians).
The in-studio process varies depending on the timeline, group, and nature of each project. However, Baynes often seeks to strike a balance between staging set material and inviting dancers to contribute their own artistic voice within a curated structure (i.e. via improvisational prompts inspired by theme, as facilitated by the choreographer).
VALUES
Transparency
As a choreographer, I value maintaining open lines of communication (e.g. ensuring accessibility) and accurate crediting (i.e. if a choreography was created in collaboration with the dancers then the playbill should say so).
Inclusion
While some processes will include different roles, that differently support the final product (e.g. soloists, ensemble members, etc.), inclusion is ensuring each participant has an intentional role regardless of dis/ability or other dimensions of identity. As a professional educator, I am also committed to facilitating a culture of care in the studio, and teaching material in a way that aligns with diverse learning styles.
Health & Adaptability
Though injury is an inherent risk of engaging in dance performance, I am committed to 1) thoughtfully considering the physical well-being of dancers in creation of material and the repetition of rehearsals, 2) adjusting or omitting any movement material that poses considerable risk (i.e. if a dancer has a physical or psychological vulnerability of which I was not initially made aware, then the information is communicated mid-process).